Elevation (Elevación) Sala Carlos Federico Sáez, MTOP September 25 to October 25, 2009 A large field of action pans horizontally in an epic scene working through several different planes, highlighted by the sublime height of the eagle. A scene conceived in terms of drawing, monoprint, and muted chromatic tints, it began within the boundaries of certain dimensions that little by little proved insufficient, since the concept required a monumental presence to contain its narration. Passionate lines, thick and fast strokes or tapering lines, clear and tidy, arrange the composition with a mannerist touch. A sharp and remarkable image, the characters act along the central line; a quasi-abstract and indefinite mass on the upper and lower planes.
Sporadic, bluish, violet or copper shades emerge in the lower sections, like reflections of nearby, profound and barely-glimpsed occurrences. The perspective used to represent the eagle opts for most paradigmatic plane: the profile shows off its magnificent head and noble gesture, a rational dominator of instinctual mass that stirs primordially, casting hard expressionless glances from multiple more or less emerging eyes, crude in their inability to rise upwards. María E. Yuguero Curator
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Elevation (Elevación) Sala Carlos Federico Sáez, MTOP September 25 to October 25, 2009 A large field of action pans horizontally in an epic scene working through several different planes, highlighted by the sublime height of the eagle. A scene conceived in terms of drawing, monoprint, and muted chromatic tints, it began within the boundaries of certain dimensions that little by little proved insufficient, since the concept required a monumental presence to contain its narration. Passionate lines, thick and fast strokes or tapering lines, clear and tidy, arrange the composition with a mannerist touch. A sharp and remarkable image, the characters act along the central line; a quasi- abstract and indefinite mass on the upper and lower planes.
Sporadic, bluish, violet or copper shades emerge in the lower sections, like reflections of nearby, profound and barely-glimpsed occurrences. The perspective used to represent the eagle opts for most paradigmatic plane: the profile shows off its magnificent head and noble gesture, a rational dominator of instinctual mass that stirs primordially, casting hard expressionless glances from multiple more or less emerging eyes, crude in their inability to rise upwards. María E. Yuguero Curator