Who can say what drives us every day to continue building our projects, evolve as
people, create life or just create?
Let us agree that life unquestionably contains a boundary dividing the waters of
what was and what will be. That moment -that we can generically call midlife-
affirms our convictions, even when in doubt, and allows us to project ourselves
forward. It is a path towards introspection, yes, but it offers a stop, a way of
stepping back and analysing who we are from a certain perspective.
[...]
Claudia Anselmi's Dis-Coverings (Des-cubrimientos) exhibition shows this moment.
And even though all the artist's output is marked by a strong inwardness, it would
not be wrong to assume that we are facing one of her most emotionally dense
productions, with a deeper personal commitment.
Her rolls in boxes (or boxes with rolls) materialise the process of seeking-capturing-
evaluating and feed from multiple sources that practically flow by themselves: her
old drawings from the 1980s, the drawings by Iris Costa (her paternal grandmother)
that confirm the extent to which family’s imprint influences the creative process,
and series of new drawings that synthesize the artist's fleeting, yet powerful, inner
visions.
Eduardo Folle-Chavannes
Dis-Coverings (Des_cubrimientos)
Galería Del Paseo
May 2000
Exhibitions / Installations
Games in the Forest_Let the Wind talk
Monochrome_105 Tints of Red
Dreams of Silence
Self Portrait_Flight Dialogues
Loyalty
Blessed Water_Source of Life
Games in the Forest
Elevation
Snow
Space_Time
Work in Progress
The Day in your Hands
She_He
Layers
Dis-coverings
Graphic Works
Fantastic Landscapes
Element
Who can say what drives us every day to continue
building our projects, evolve as people, create life
or just create?
Let us agree that life unquestionably contains a
boundary dividing the waters of what was and
what will be. That moment -that we can
generically call midlife- affirms our convictions,
even when in doubt, and allows us to project
ourselves forward. It is a path towards
introspection, yes, but it offers a stop, a way of
stepping back and analysing who we are from a
certain perspective.
[...]
Claudia Anselmi's Dis-Coverings (Des-
cubrimientos) exhibition shows this moment. And
even though all the artist's output is marked by a
strong inwardness, it would not be wrong to
assume that we are facing one of her most
emotionally dense productions, with a deeper
personal commitment.
Her rolls in boxes (or boxes with rolls) materialise
the process of seeking-capturing-evaluating and
feed from multiple sources that practically flow by
themselves: her old drawings from the 1980s, the
drawings by Iris Costa (her paternal
grandmother) that confirm the extent to which
family’s imprint influences the creative process,
and series of new drawings that synthesize the
artist's fleeting, yet powerful, inner visions.
Eduardo Folle-Chavannes
Dis-Coverings (Des_cubrimientos)
Galería Del Paseo
May 2000